Topic Analysis, Annotated Bibliography, and Research Paper

Topic Analysis, Annotated Bibliography, and - Research Paper Example He argues that the degraded youth express themselves creatively through Hip Hop music. The author’s claim that Hip Hop originated from the neglected and crack-infested inner cities of NY and, thus, cannot be expected to live up to the standards of Middle Class America, will form a critical part of my argument on the origins and influence of Hip Hop. Dimitriadis, Greg. Performing Identity/performing Culture: Hip Hop As Text, Pedagogy, and Lived Practice. New York: P. Lang, 2009. Print. Professor Greg Dimitriadis is an associate professor at SUNY with interests in popular culture and urban education. He critically reflects on Hip Hop’s contemporary currents and the economic, social, and cultural shifts that have influenced and been influenced by commercial Hip Hop. He concludes that these shifts in contemporary currents have a profound influence on Hip Hop fans and adherents. Using Hip Hop historical works to argue that youth fashion their notions of community on Hip Hop ideals, he argues that most urban youth have formed their notions on what America is through the depictions of Hip Hop artists from different regions. This argument will support my claims regarding the influences that Hip Hop has had on young people. Annotated Bibliography Where and how did Hip Hop originate and what influence has it had on contemporary America? Light, Alan. ... The author concludes that Hip Hop arose from aspirations of people who had little in terms of economic and social emancipation. Using vivid reviews by over 50 music and cultural critics, he argues that Hip Hop used the resources that were available to its originators, including microphones, turn tables, old records, and aspirations of success. This argument will support my research into the origins of the Hip Hop art form. Chang, Jeff. Can't Stop, Won't Stop: A History of the Hip-Hop Generation. New York: St. Martin's Press, 2011. Print. Jeff Chang is a journalist and Hip Hop critic with a range of awards for his chronicling of the early rap music scene. He focuses on the effect of youth rebellion on Hip Hop’s origin, concluding that, from its initial origins as an art form, for youth without societal support, Hip Hop has transformed American culture and politics. Based on interviews with early Hip Hop artists, the main argument proposed by the author is that Hip Hop acted as an outlet for young black youth to be heard by the society. This claim is relevant to my take on how and why Hip Hop went from music of the oppressed to the most profitable genre in America today. Brown, Adrienne. "Drive Slow: Rehearing Hip Hop Automotivity." Journal of Popular Music Studies 24.3 (2012): 265–275. Adrienne brown is an assistant professor of English literature and language, specializing in African American and American effects on cultural production in the 20th and 21st century. Her central focus here is the materialistic culture in Hip Hop and its influence on American youth, concluding that, rather than the artists, it is this materialistic culture, which speaks to the audience. The main argument is that, in Hip Hop, materialistic objects like